01/W Sequencer Mode: Page 9
Revised: 98Jun02
Next Song (Line 1, column A-D)
| Next:(OFF, SIn:Song Name) |
|
[PLAY] |
| A |
B |
C |
D |
E |
F |
G |
H |
Rename Song (Line 2, column A-D)
| S#:Song Name |
[INS] |
[DEL] |
[ < ] |
[ > ] |
| A |
B |
C |
D |
E |
F |
G |
H |
Each Song can have a name that's up to 10 characters long.
Metronome (Line 3, column A-D)
|
Lead In = # |
Level = ## |
Pan = # : # |
| A |
B |
C |
D |
E |
F |
G |
H |
Using the metronome will decrease the available number of Sounds by
one.
L.In: (0 - 2): Lead In
The number of measures the metronome will sound before recording actually
begins.
Level (00 - 99): Sets the metronome volume.
Pan (A, 9:1 thru 1:9, B, C, D, C+D, ALL[= A, B, C and D])
Pans the metronome to the desires back-panel output.
Copy Effects All (Line 4,
column A-D)
| from |
[ SONG ] |
- SI# / SC# / SD# |
[COPY] |
| A |
B |
C |
D |
E |
F |
G |
H |
How to Copy PROG effexts to the 01 Sequencer
You can copy the effects page (Page 8) from any PROG, COMBI or Song to
the effects page (Page 8) of the sequencer while in SEQ Mode.
-
Enter SEQ Mode (push "SEQ").
-
Go to Page 9 (push "9").
-
Highlight "Copy Effects All" (push DOWN 3 times or UP once).
-
Highlight the field to the right of "from" (push "C").
-
Select the source of the effects you want to copy (push VALUE DOWN, UP,
or the slider). For this specific example, select "PROGRAM".
-
Push the "E" button to highlight the PROG number field.
-
Enter the bank/number of the program whose effects you want to copy. The
easiest way is by direct-entry: Hold "E" down as you push the number of
the PROG you want. To change banks, push and release "10's HOLD/-". Then
release "E".
-
Select COPY (push "H").
Confirm you want to copy (push "E"). (98Apr13)
Copy/Swap FX (Line 1, column
E-H)
| FX1 (===> / <=== / <===>) FX2 |
|
[COPY] |
| A |
B |
C |
D |
E |
F |
G |
H |
Copy From Combi (Line 2, column
E-H)
| from |
A/Bnn : Combi Name |
to Trk n - nn |
[COPY] |
| A |
B |
C |
D |
E |
F |
G |
H |
Base Resolution (Line 3, column
E-H)
| Base Resolution : Low (Q/48) or High (Q/96) |
[SET] |
| A |
B |
C |
D |
E |
F |
G |
H |
Base Resolution is how many ticks-per-quarter-note the 01 will record
at. The faster you go, the better the reproduction of human nuances. But
higher tick speeds mean less time for other things, things being options
like additional time signatures.
You can only set the Base Resolution if the current Song (specified
on Page 0, line 5, column A) is empty. Once a song is recorded, the Base
Resolution cannot be changed unless the entire song is erased (using Page
5, line 3, column E-H). Base Resolution can be different for each song.
You get two choices: Low or High. The Bass Resolution setting determines
two things: the time signatures you have to choose from, and how quantization
is done.
Time Signature Aspect
The time signatures available with each choice are shown in the table below.
The trade-off is that High resolution sounds more natural, but you get
fewer time signatures to choose from.
Base Resolution Options
| Base Resolution |
Available Time Signatures |
| Low (48 ticks per quarter-note) |
1/4 - 9/4
1/8 - 16/8
1/16 - 16/16 |
| High (96 ticks per quarter-note) |
1/4 - 5/4
1/8 - 10/8
1/16 - 16/16 |
Quantization Aspect
You can specify an amount of quantization on Page
0-1 and Page 6-1. One of the options
is "HI". If you select the "HI" option, then the amount of quantization
is whatever you set here (on Page 9).
Now, follow along: You can set the Quantization to be "HI" while the
Base Resolution is "Low". Or you can set Quantization to be "HI" and the
Base Resolution is "High". "HI" doesn't necessarily mean "High", got it?
Copyright ©1998 by Ken Westover at Cliff Canyon
Publishing Co.
9807100952