|
There are some more CDs coming out at some point, including "Poisoned
Squirrels-Live in Nederland" (a
reunion concert with a former band), and a follow up to "Songs
from the Pit" called "Confessions
of a Wandering Mind". I'll post them
on this site as they become available.
Some of the Colorado albums I appear on:
Savage Patty: One
Planet, One Breath: The latest from some
local friends- I played bass. Available direct
Savage Patty: Big
Happy Family: A nice Boulder area band- I played bass, sang backup and did a touch of
production. Available direct
Kimmerjae Macarus: Secret:
One of my very
favorite artists, and one of the only ones I'll join a rhythm section
for anymore. Available direct
Savage Patty: Savage
Patty: Despite the name, a rather
nice acoustic group with two guitars, a violin and a bass.
Available direct
Jon Sirkis:
Songs for Kelly: Great
acoustic/electric music with insightful socio-political themes. Available direct
Jon Sirkis: New
Frontier: An environmental
message with some unique twists. Available direct
Deb Seymour: Cupid's
Wheel: This one's from Seattle,
but I spent a nice week there playing bass, singing backup, and
playing my own shows. Available direct
Deb Seymour:
Martian Tangos: Funny,
unique songwriting and insightful personal themes. Available direct
Chip & the Chowderheads: Worth
The Weight: Acoustic/electric
music from a Boulder band, who are also responsible for the
soundtracks to some great work from film maker Robin
Beeck. Available direct
Paul Griffin: Diamond
Heart: A
"singer-songwriter" CD from one of the original members of
the Poisoned Squirrels.
E mail him at catbird2k1@aol.com
"Songs from the Pit" review from Acoustic
Musician magazine, September 1997-
A fine debut acoustic release from
erstwhile avant-noise rocker (and founder of the appropriately named
Barftones) Peter Stokes. The songs are of the personal conflicts,
soul-searching and observation generally associated with 90s
singer-songwriters. However, Stokes manages to avoid the usual
pitfalls of hyper-sensitivity that afflict most of the perpetrators of
this genre (and their audiences) by coming at the themes from a
different angle. For example, while The
Greasepit is a tune centrally located in
the over-exploited territory of sensitive-guy introspection, he
successfully uses his avocation of working on cars as a metaphor and
an explanation of how he came to be who he is. Without resorting to
diatribe or cliche, he also comes up with a very understated but
effective confrontation of religious intolerance with Sometimes.
Stokes plays acoustic and electric guitar, bass, percussion and
oddly-tuned banjo, and has some help from Pat Brickell on guitar, and
Beth Amsel, Lorna Hunt, Marty Humphreys, Jeffrey Hill, Kimmer Macarus,
and Maggie Simpson on harmony vocals. Songs
From The Pit is a strong, laid-back
acoustic CD with a twist.
|