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Quantize | Erase Measure | ||||||
Shift Note | Copy Measure | ||||||
Modify Velocity | Insert Measure | ||||||
Delete Measure | Put/Copy Pattern | ||||||
Letter Button Options | |||||||
A | B | C | D | E | F | G | H |
Trk ## | M ### | ==> ### | data | R: | Offset | Intensity | [QTZ] |
A | B | C | D | E | F | G | H |
A | Trk ## | Track | 1 - 16, Tempo | Which track to quantize |
B | M ### | Start Measure | 001 - 999 | Measure where quantizing starts |
C | ==> ### | End Measure | 001 - 999 | Measure where quantizing ends |
D | (data) | Quantize
Data |
PROG
BEND AFTT CTRL NOTE ALL |
Type of data you want quantized. Values can be entered using
the VALUE controls or Direct Entry.
Click here for a table of Direct Entry & Data types. Program changes only [VALUE Slider full up] Pitch bend only (joystick X) Aftertouch only (channel pressure & poly aftertouch) Control data only (joystick Y, damper, etc.) Keyboard (Note On, Note Off) All (including the Tempo track) [VALUE Slider full down] |
E | R: | Resolution | quarter-note
through Hi |
Quantization resolution. Values can be entered using the
VALUE controls or Direct Entry.
Click here for a table of Direct Entry & quantizations. |
F | O | Offset | -96 thru +96 | Quantization time skew (number of ticks to shift) |
G | I | Intensity | 0% - 100% | Intensity of Offset |
H | [QTZ] | Quantize | Execute the Quantize command |
Direct Entry in the
Data Field
The quantization value can be entered using the VALUE Slider/Buttons
or Direct Entry. For Direct Entry,
press and hold the letter button below the Data field while using the numeric
pad to enter the numbers shown in the table below:
Number: | 0 | 1 | 2 | 3 | 4 | 5 - 9 |
---|---|---|---|---|---|---|
Data
Type: |
ALL
all data |
NOTE
note on/off |
CTRL
control data |
AFTT
atertouch |
BEND
pitch bend |
PROG
program |
Such exact shifting can result in mechanical-sounding music. What if you'd like to "tighten up" your sequence, but not go all the way to the nearest 8th note? The Intensity parameter (button G) lets you specify how much to move towards the nearest 8th note. Going all the way is 100%, not moving at all is 0%. If you set an Intensity of 50%, you will move half-way towards the nearest Resolution note.
Offset (button F) will shift all MIDI events by the number of ticks you specify. For example, if you are sequencing at 96 ticks per quarter-note, an offset of 48 means everything would be shifted right (later) by an 8th note. An offset of -24 would shift everything left (earlier) by a 16th note.
If you specify both Intensity and an Offset, here's what happens:
1. The 01 finds the nearest Resolution note (for example, the nearest
8th note).
2. The 01 calculates a new destination by adding the Offset to that
nearest note.
3. The 01 moves your MIDI event towards (or away from) that destination
by the Intensity percentage.
For Example:
Suppose Track 2 is always late by a 16th note. This means you want
to shift all of Track 2 left (earlier) by 24 ticks. (There are probably
96 ticks for each quarter-note unless you changed something by mistake.
If there are 96 ticks for a quarter-note, then there are 48 ticks for an
8th note, and 24 ticks for a 16th note.) To actually do the shift, try
these steps:
1. Make sure we are on Sequence Mode Page 6, on the top line (0 clicks)
2. Press button A and enter the Track number you want to change.
3. Press button B and enter the measure you want to start quantizing
(to start at the beginning, move the VALUE slider all the way down)
4. Press button C and enter the measure you want to stop quantizing
(to quantize the entire track, move the slider all the way up.
5. Press button D and specify what type of MIDI data you want to quantize.
The default is "ALL" MIDI data. If you only want to shift Damper data,
click the VALUE UP button twice to specify "Control" data.
6. Press button E and specify the type of Note you want to quantize
to.
7. Press button F and specify the Offset (the number of ticks you want
to shift the track). To shift one 16th note earlier, enter -24.
8. Press button G and specify the percentage of quantizing you want.
9. Press button H to execute the quantization.
That should do it.
Trk## | M### | ==> ### | Left | Right | Shft = ## | [SFT] | |
A | B | C | D | E | F | G | H |
A | Trk ## | Track | 1 - 16 | Which track to transpose |
B | M ### | Start Measure | 001 - 999 | Measure where shifting/transpose starts |
C | => ### | End Measure | 001 - 999 | Measure where shifting/transpose ends |
D | Low note | C-1 thru G9 | Lowest note to be shifted/transposed | |
E | High note | C-1 thru G9 | Highest note to be shifted/transposed | |
F - G | Shift = | Shift | -24 thru +24 | Number of chromatic steps to shift/transpose |
H | [SFT] | Shift | Execute the command |
If there is a Pattern within the range of measures you specify, you will be asked if you want to open the pattern. Answering "yes" will cause the pattern to be converted to actual notes in the measures, and the modification will be carried out on those notes.
Trk ## | M### | ==> ### | Start | End | Intensity | Curve # | [MDF] |
A | B | C | D | E | F | G | H |
A | Trk ## | Track | 1 - 16 | Which track to modify |
B | M ### | Start measure | 001 - 999 | Measure where modification starts |
C | => ### | End measure | 001 - 999 | Measure where modification ends |
D | V= ### | Start value | 002 - 126 | Beginning velocity value (002 = quiet) |
E | => ### | End value | 002 - 126 | Ending velocity value (126 = loud) |
F | I= ### | Intensity | 000 - 100 | % of modification to apply. 0 = no change. |
G | Cv # | Curve number | 1 - 6 | Which curve to use:
1. Linear (like a piano) 2. Exponential, slow starting 3. Exponential, fast starting 4. S-curve, slow starting 5. S-curve, fast starting 6. Random |
H | [MDF] | Modify | Execute the command |
You can reduce all the velocities by a set percentage by setting the Intensity to something less than 100% (velocity value settings don't matter).
If there is a Pattern within the range of measures you specify, you will be asked if you want to open the pattern. Answering "yes" will cause the pattern to be converted to actual notes in the measures, and the modification will be carried out on those notes.
If you modify in error, press the COMPARE button to see the original values.
For more information about velocity settings and how they relate to musical loudness terms (like "forte"), click here.
Trk # | M ### | ==> ### | [DELETE] | ||||
A | B | C | D | E | F | G | H |
Trk # | M ### | ==> ### | ALL | [ERASE] | |||
A | B | C | D | E | F | G | H |
A | (this button does nothing) | |||
B | Trk ## | Track | 1 - 16, ALL | Which track(s) the measure(s) to be erased are in. |
C | M ### | Start
Measure |
001 - 999 | Measure to start erasing data. Values can be entered using the VALUE controls or Direct Entry. |
D | ==> ### | End
Measure |
001 - 999 | Measure to stop erasing data.
Data in the End Measure will be included in the erasing. |
E
F |
(data) | Erase
Data |
PROG
BEND AFTT CTRL NOTE ALL |
Type of data you want erased.Values can be entered using
the VALUE controls or Direct Entry.
Click here for a table of Direct Entry & Data types. Program changes only [VALUE Slider full up] Pitch bend only (joystick X) Aftertouch only (both channel pressure & poly aftertouch) Control data only (joystick Y, damper, etc.) Keyboard (Note On, Note Off) All (including the Tempo track) [VALUE Slider full down] |
G
H |
[ERASE] | Erase | Execute the Erase command |
Cautions:
1. If you erase a Damper Off or Pitch Bend (0) MIDI command, stuck
notes can result. Either erase the beginning of the MIDI command, or go
to Event Edit and insert new Damper Off or Pitch Bend (0) commands.
Trk # | M ### | ==> ### | ===> | Trk # | M ### | [COPY] | |
A | B | C | D | E | F | G | H |
Trk ## | M ### | L ### | **/** | [INSERT] | |||
A | B | C | D | E | F | G | H |
A | (this button does nothing) | |||
B | Trk ## | Track Number | 1 - 16, ALL | Number of the track where the measure will be inserted.
"ALL" means all 16 tracks and the tempo track. |
C | M ### | Measure Number | 001 - 999 | Measure number of first blank measure |
D | L ### | Length | 001 - 999 | Number of blank measures to be inserted |
E - F | **/** | Time Signature | **/**
(other) |
Time signature of the new blank measures
Same as matching measure numbers in other tracks Other available options depend on the base resolution you have selected. Click here for details. |
G - H | [INSERT] | Insert | (execute) | Do the insert |
1. Press "B" (Trk##) to specify the track number where you want the measure inserted.
2. Press "C" (M###) to specify the measure where you want a blank to be inserted. The measure number you enter will be the first blank measure. For example, if measure 3 held data, and you inserted a measure starting with measure 3, the new measure 3 would be blank.
You may also notice the display changes to show you which measures contain data. Each thin dash (or hyphen) is empty, while each thick dash/hyphen contains data. The measure number you enter above the "B" button appears as the dash in the top-left corner. This is a quick way to confirm an insert has taken place after you execute the INSERT command.
3. Press "D" (L###) to specify how many blank measures you want inserted. The default is "001".
4. Press "E" or "F" (**/**) to specify the time signature of the new blank measures. For example, you can insert two measures of 6/8 in the middle of a track full of 4/4 measures.
The default is "**/**". This means the blank measures will take the time signature of the same measures existing in other tracks.
5. Press "G" or "H" ([INSERT]) to actually insert the measure(s).
If all went well, the display will show the message "Completed".
Notes:
1. If a note was held across the measure where you insert a blank measure,
the held note will be split into two notes.
2. If you try to insert measures into a Pattern which was "Put" into this track, you will be asked if you want to "open the pattern". Answer yes or no depending on what you want.
3. If you [INSERT} by mistake, press the COMPARE button to return the
track(s) to what they were before you executed the [INSERT] command.
Pat ## | ===> | Trk ## | M ### | [PUT] | [CPY] | ||
A | B | C | D | E | F | G | H |
B | Pat | Pattern | 00 - 99 | The Pattern Number you want played |
D | Trk ## | Track | 1 - 16 | The Track Number you want the Pattern played in |
E - F | M ### | Measure | 001 - 999 | The Measure Number you want Pattern to go into. This data in this measure number will be overwritten. |
G | [PUT] | Put | (execute) | Put the Pattern Number into the target measure. |
H | [CPY] | Copy | (execute) | Copy the contents of the Pattern into the target measure. |
2. If you press PUT or COPY again, you will PUT or COPY again. This is a cute way of saying be careful not to let your finger bounce on G or H, or you will accidentally insert another Pattern, erasing what was in the measures before.
3. If you PUT or COPY by accident, you can recover the lost data by pressing COMPARE.
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